Associate BSC
Robert joins the British Society of Cinematographers
Today Robert was invited to join the British Society of Cinematographers as an Associate Member
I am incredibly honoured and proud to be invited to join the BSC today as a Associate Member. To be recognised and honoured by my peers is especially humbling and I am truly grateful.
Read more here
BSC Website
Children’s & Family Emmy Nominations Revealed
Robert Hollingworth is recognised with an Emmy nomination for his work on Love in the Forest in A Real Bugs Life, S2, on Disney+
Cinematography Awards at Wildscreen 2025
Robert wins a cinematography award for ‘Love in the Forest’ (A Real Bugs Life S2) at the 2025 Panda Awards at the Wildscreen festival
American Cinematographer
The ASC does a deep dive into the making of A Real Bugs Life including a look at lenses, lighting and motion control
Camera Operator Magazine
Join Robert Hollingworth (DP) and Henry Keep (Focus Puller and 1st AC) as they chat about their time filming the series for Disney in conversation with David Daut
Emmy win for A Real Bugs Life
Robert Hollingworth wins an Emmy for his work on A Real Bugs Life for Disney in the 2025 Children’s and Family Emmy Awards
A Real Bugs Life – Season 2
The hit natural history show returns to Disney+ this January for a second season
BBC Panorama – Should we still be working from home
BBC PanoramaRobert filmed interviews for this episode of BBC's Panorama under the direction of Jane Fellner. It was shot on the Sony F55 and Nikon Z8 with Nikon primes on location in London. Director: Jane FellnerReporter: Zoe ConwayAssistant Producer: Steph...
Deadly 60 – The Deep
Join Steve as he dives in a deep-sea submersible to explore the ocean depths like never before. He then travels to the Natural History Museum to meet some of the weirdest animals from the deep Join Steve as he explores the weird and wonderful inhabitants of NHM...
HS2 – The Railway that Blew Billions
BBC PanoramaRobert filmed the drama recon segments for this episode of BBC's Panorama under the direction of Edward McGown. It was shot on the Sony F55 and Nikon Z8 with Nikon primes on location and mostly with available light. Director: Edward McGownReporter:...
Subscribe